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Showing posts with label monster. Show all posts
Showing posts with label monster. Show all posts

Saturday, April 26, 2014

My 40 Favorite Films of the 90's - 34 - Jurassic Park (1993)

Jurassic Park (1993; Universal Pictures)
Director: Steven Spielberg
Writers Michael Crichton, David Koepp
Starring: Richard Attenborough, Sam Neill, Laura Dern, Jeff Goldblum

Here is an obvious one!  Jurassic Park is Spielberg’s very well-made adaptation of Michael Crichton’s novel.  Considered unmakable at the time, this movie was a tremendous undertaking.  The film had a massive budget, loaded with huge sets, large-scale animatronics, scientific advisors and some of the best computer animation the early 90’s could offer.  However, despite its lowered expectations due to skepticism given the scale of the production, the film nearly made its entire $63 million-dollar budget back on its opening weekend in June of 1993 (sources: imdb.com, the-numbers.com).

Jurassic Park tells the story of an eccentric billionaire named John Hammond (Attenborough) who opens a theme park populated by genetically-engineered dinosaurs.  A group of scientists and specialists, as well as Hammond’s grandchildren, arrive at the island park for its dry run, only they were not expecting a dangerous tropical storm and a slimy hacker to cause a lot of trouble for the awed visitors.  What transpires is a high-tension monster movie filmed with a lot of love for the material.  The money also shows on screen, with big sets and convincing effects.  One downside of the movie I would say is how Spielberg uses the night setting and the tropical storm to obscure some of the technical limitations, giving the movie a dark, occasionally colorless look.  It is a monster flick, though, but it is important to know that the dark imagery standard set in the 70’s was also to hide effects and makeup, so take from that what you will.

The acting is fair, with Ariana Richards giving a solid performance as the Hammond’s granddaughter, Lex.  However, she has not appeared in much outside of some B-movie material.  Laura Dern, Attenborough, and Jeff Goldblum are all quite good in their lead roles and Wayne Knight and Samuel L. Jackson give entertaining supporting performances in the few scenes they are in, and over all, there are no performances that come off as stilted or annoying, as is often the case with Spielberg's films, especially from the child actors who appear in his movies.  That said, Sam Neil is good with his lines but he really seems to be sleepwalking through the movie and his character Dr. Alan Grant only seems to exist to provide exposition about the dinosaurs.  

All-in-all, Jurassic Park is not a flawless movie, but it is an entertaining one.  It has some good effects work, some pretty tense moments and a few quotable lines.  There was effort here, and sometimes that is all you need to put something fun on screen, and despite all of the effort to make a big effects movie, Spielberg is usually pretty good about keeping the focus on the characters, which he does do here.  You never feel disconnected from the action and there is a sense of dread and fear for the lives of the park’s patrons.  You can not really go wrong with this material either, I mean it is a T-rex chasing a jeep in the rain.  That is so badass.

Thursday, August 1, 2013

The Revenge of Godfrey Ho Month - Thunder of Gigantic Serpent (1988)

Thunder of Gigantic Serpent (1988)

When you sit and think about it, Thunder of Gigantic Serpent makes perfect sense.  Since the late 60’s the genre called Kaiju has been a popular choice for sci-fi filmmakers.  The genre, commonly referred to in the U.S. as “Giant Monster” is a huge cult movement, sparked by the release of the 1954 film Godzilla (or Gojira of you want to be pretentious about it).  The King of the Monsters has been everywhere, appearing in dozens of his own Kaiju films, as well as becoming a mainstay in the world’s pop culture lexicon.

The 1980’s saw a sort of a dry spell for this sub-genre, as it would be several years until Godzilla vs. King Ghidorah would see its release.  It is likely that Ho wanted to bring this back into popularity with his 1988 film Thunder of Gigantic Serpent.  I don’t think it really worked, but I will admit that this movie is entertaining as all Hell!

This is one of several Ho films starring actor Pierre Kirby, a mysterious action star who went as quickly as he came.  He appeared in several movies in the late 80’s, all under Ho’s direction, then just vanished.  No, seriously, there is mass-speculation among films fans as to what actually happened to Pierre Kirby, because few people actually know for sure.  It was confirmed by Brad Jones of thecinemasnob.com that Kirby did, in fact, die at sea, as stated by the actor’s sister. This fuels a widely-accepted conspiracy theory that pirates were involved.  

So, with that bit of back-story out of the way, what is up with Thunder of Gigantic Serpent?  The film follows a young girl who has a secret pet snake.  I have not been able to really find out what she’s calling the snake in the movie.  I want to say it’s something like Mazla, or Mozra or something like that.  She hides the snake from her parents and when it is discovered, they refuse to let her keep it, but she defies them.  

Meanwhile we get plot #2 involving a formula that could save the world from starvation.  It is a super-growth serum that can cause things to grow more than three times their original size.  The experiments are a success but the military confiscates the good doctors’ research for their own ends.  At the same time, an evil Terrorist named Solomon wants to take over the world’s food supply, and he believes obtaining this formula with give him that power.  He stages a siege on the lab to steal the scientific wonder and begin... taking.. over the world.... (ho, boy).

Image Source: foywonder.com
Things go wrong, however, as an assistant takes the formula in a clear case and flees, throwing it out of the car into an embankment right before driving off of a cliff.  She survives, however, and the terrorists fail to catch her.  The young girl, her pet snake in mind, finds the container and brings it home, using it as a sort of terrarium.  Upon putting Mazla (?) in the case, it grows to a huge size.  The snake appears to have consumed the formula.

Image Source: roberthood.net
Solomon discovers the girl has the case and assumes, as he finds the case empty, that she has the formula too.  Sending his goons after her angers Mazla and the ensuing entanglement leads Mazla trapped in an electric fence, but the snake doesn't die.  No!  It grows!  To a massive size.  From here the girl attempts to protect her pet while the gangsters subdue her, holding her hostage as ransom for the formula.  It all comes to a head as Mazla is destroyed by the military and the young girl mourns the loss of her pet and friend.  The end..?  Nope.  We still have one scene left.

Pierre Kirby in Thunder of Gigantic Serpent
So, I bet you were wondering where Pierre Kirby comes into play in all of this.  Well, the Solomon character was cut into the existing movie as the villain, and Kirby is as well.  Kirby plays... are you ready for this?  Fast.  Ted Fast.  A super-agent who “always works alone” (Yes, that’s actually a line from the movie).  He cuts in and sort of comments on events in the movie, but is rarely given anything until the end of the film, and really has less than five minutes of screen time.  After Mazla dies Kirby tracks down and takes on Solomon in a brief, but entertaining Kung Fu battle.  Then the abrupt credits roll and the film comes to a close.

Thunder of Gigantic Serpent is comedy gold.  It is filled to the brim with 80’s cheese action clichés and goofy dialogue.  The dubbing can, however, become a little insufferable as the young girl (I never was able to fully decipher her name but I think her parents are calling her Ting Ting) spends the last act just shouting her pet snake’s name ad nauseum in her whiny dub voice.  The thing that really makes Thunder of Gigantic Serpent a must-watch is the effects work.

The original film used as a starting point for Ho’s cut is a strange movie on its own.  Obviously a Kaiju send-up, this movie has one of the most hilarious puppets I have ever seen in a movie.  Mazla, the snake, is not a real snake.  It is an inanimate foam form of a snake that is obscured in poor-lighting in earlier scenes and revealed in all of its comic majesty in later ones, after growing to a large size.  The first act has Mazla nodding and shaking its head “yes” and “no” in response to the girl’s prompts.  That’s funny enough, but later on, after growing, the snake appears to fly out of a window and then it takes out a bridge as a giant. These moments just kept me in stitches.

This is a great dumbass movie and if you want to watch a film that will keep you laughing (for numerous reasons) this one should do it.  The only downside, as I mentioned, is occasionally-annoying dub work and some poor lighting that gives the film a muddy, grayish look, typical of straight to video movies of the 80’s, I know, but it seems a little worse here than usual.  As of the time of this post, this one is watchable in its entirety on YouTube.  Check it out for a good time.